Ennio Morricone delivered more of the same dramatic conflict on his score for the 1968 Western ‘La Resa Dei Conti’, this time mixing in a bit of atmospheric formlessness among his more romantic and orchestral sounds. There are some vampiric sounding organs as well as one of those ascending, judgment day tunes that are expected of a Western: the strings come into play and the choir gets heavy with the tension.
Brand new, never played, sealed
